Organizing your Narrative Essay

(This post originally appeared June, 2013).

There are many ways to organize a narrative essay. No real rules or formulaic outlines exist, which appeals to many writers. This can also cause a lot of frustration for the writer who is used to rules and outlines. The flexibility of form of the narrative essay gives the writer the freedom to tell his or her story as creatively as he or she chooses. What we suggest here are only general guidelines. As you compose your essay, consider the story you want to tell and which form works best to communicate that event.

Ingredients

What goes into a narrative? Traditionally, if you are going to retell an event, you’ll need to include three elements: Scene, Summary, and Reflection.

Scene is action. People are talking (dialogue); you or other people are moving or reacting to something.

Summary is exposition. It is condensing time (making a long stretch of time shorter) or conflating time (making a short stretch of time longer for dramatic effect). Summary can be history and background, filling in the blanks for the reader.

Reflection is your – the narrator’s – thoughts. What did you think or feel as the action was happening? What do you think or feel now? How have you made sense of what happened? This is reflection.

These three elements do not necessarily have to be in equal increments. This is a writer’s creative choice on how much the writer feels is necessary to fully communicate his or her story.

The Intro

Literature is filled great “hooks” or opening lines: “Happy families are all alike; every unhappy family is unhappy in its own way.” Anna Karenina

It was the best of times, it was the worst of times. . .” A Tale of Two Cities

Call me Ishmael.” Moby Dick

And this line, probably the most famous (and now most clichéd): “It was a dark and stormy night.”  Paul Clifford

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Composing an engaging hook, or opening line, is essential to immediately draw your readers into your story. Without a strong intro, a reader may disengage and not continue reading, so spend some time on your intro and hook your readers before moving on.

Organization

You’ve hooked your reader, so now where do you go? Chronological organization, or retelling your story in the order events happened in real life, is one way. However, beginning writers often get stuck spinning their wheels, or spending too much time setting up a story with inconsequential exposition, which runs the risk of losing your readers.

Beginning in the Middle

Consider taking your story out of chronological order, and begin in medias res, Latin for in the midst of things. In an in medias res narrative, the story opens in the middle of the actual chronology of events, usually with dramatic action rather than exposition setting up the narrative. The story begins in the middle, moves forward from there, with the past told in flashbacks. An in media res intro works well to hook the reader, as the dramatic action begins immediately.

Story Structure

Once you begin composing your narrative and you’ve decided on how you are going to organize your event, you’ll now need to put it all into paragraph structure. Narrative essays don’t have the type of topic sentences that an academic paper has or obvious signals on when to begin a new paragraph.

Obvious paragraph breaks will be when speakers change: new speaker = new paragraph. Other breaks may not be so obvious. Think in terms of the action, and structure the paragraphs around the action. Generally, narrative paragraphs change when something in the action changes:

Introduction of new people
Location or setting changes
Time passes or era changes
Action changes
Mode changes (action changes to reflection, reflection changes to exposition)

Climactic Moment

For a narrative event essay, you’ll probably be asked to consider the narrative arc, or the climatic sequence of events. When you decided on what event to retell, you most likely thought of the “climax,” the high point of excitement or the turning point of the event or experience. But to retell this event and to get to the climax, you’ll also include rising action (events before the climax) and falling action (events after the climax). Many writers find it easier to work backward, or write out the climax and work up to that point. It doesn’t really matter how you get there, just that you get there.

Narrative Arcs aren’t necessarily a perfect arc

Even in the shortest narrative event essays, you’ll need to include the basic elements of plot to complete your narrative arc:

  1. Exposition
  2. Rising Action
  3. Climax
  4. Falling Action
  5. Resolution

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(Denouement is a French term meaning resolution)

However, don’t assume that because the “climax” falls in the middle . . . that it falls in the middle.

The climax to a narrative can often be closest to the conclusion of the essay, followed by a brief resolution or denouement.


Conclusions

Many writers find the conclusion, or resolution, to be the most difficult part of the narrative to write well. Try to avoid the inclination to overwrite the conclusion. The central meaning, or universal theme, should be apparent in the narrative. If you have to tell the reader what it all means in the end, you might need to go back and expand the narrative so readers can derive meaning as they see the story unfold.

As you can see, writing a narrative essay is no easy-peasy-lemon-squeezy writing assignment. It takes a lot of thought and planning.

On the other hand, don’t over-analyze how you should organize your narrative so much that you get analysis paralysis. Sometimes, just sitting down and writing as if you were simply jotting down a diary entry of a memorable event will open the creative channels from which your story will effortlessly flow.

Not likely, but that’s what revision is for.  

 

Breaking Down the Narrative Essay Assignment

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One of the most common writing assignments in introductory English Composition classes is the narrative essay. Students are often very familiar with writing an academic essay, such as a classical argument, but when asked to compose a narrative story, many students are flummoxed. It’s true that narrative writing is a different kind of writing than academic prose, but it’s still writing. Once you understand the parts that make up the whole, composing a winning narrative will be a piece of cake. For our purposes, we’ll focus on a typical Comp I assignment for a short 4-6 page narrative essay.

The Event

Most writing assignments ask that you focus on a very small moment in time to make the essay manageable. Trying to write about your entire high school career, a four-year span of time, is too large to cover thoroughly in 4-6 pages. So pick a specific moment in time when something happened that affected you deeply or changed you in some way. As with any narrative, be it a book-length narrative or a short essay, the main character (in this case, you) should go through some kind of change or transformation. This should be a specific event that you can recall easily and describe effortlessly.

An example of a moment in time might be the championship football game when you missed the field goal in the final seconds. This remembered event might have taken a span of a just 2 or 3 hours, which is the time you would write about in your essay. Another moment in time might be related to family, such as the wedding of your sister when you realized she was leaving home, or when you realized you wanted to be a veterinarian after entering your pet rabbit in the fair, even though you didn’t win a blue ribbon.

Troubleshooting Topics

Many writing instructors try to steer students away from writing about births, deaths, or other very emotional experiences. These are often the first topics to come to mind, but they don’t always make the best narratives. Why? Because, one, we are often too emotionally close to the event to write about it objectively without getting overly sentimental, or to communicate anything other than joy or sorrow. And two, if your instructor requires peer reviews (your classmates will read your essay and offer constructive criticism), it may be extremely uncomfortable to hear feedback on your writing on a very emotional topic. When I teach the narrative essay, my guidelines actually say, please no births or deaths. Don’t judge me.

Also, don’t think the “event” has to be a big, grand experience. It can be something extremely simple, like the afternoon your grandma taught you how to make kolaches, or the year your family had Christmas dinner at a Chinese restaurant. Think small, but meaningful.

Figuring out the Main Purpose or Theme

Once you decide on a topic and before you begin writing, you’ll want to consider what the main purpose or theme of the essay is. Instructors often refer to this as the autobiographical significance.  Ask yourself, what is the point of this essay? What am I trying to say? If you are an ace with academic essays, think in terms of the thesis statement; what is the thesis of the narrative? (For more help with this, read this great essay from Brevity Magazine, “So What’s Your Point?”).

Figuring out your narrative’s purpose takes some thinking, and it’s not always so clear. Some writers believe you should first write the story, and the main purpose will organically come. Other writers feel they must have an idea what the main purpose is before they can even begin writing. Both are a means to the same end, and you’ll have to do what works best for you. Just note that instructors often ask that you know exactly what the main purpose or autobiographical significance is before you begin.

Introduction/Exposition

In the introduction, you’ll want to set up the story, and to do this, the reader will need to know the 5 Ws, or the Who? What? When? Where? Why? of the narrative.

Avoid the mistake of holding back essential info to surprise the reader. This isn’t a mystery; it’s a narrative essay, so the reader needs to know who the players are, where and when the setting takes place, what is happening, and why things are happening.

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The body, the majority of the narrative, will guide the reader through the event. This will include exposition or rising action when you are building tension in the story, or introducing a complication that sets you on a trajectory of sorts.


Climax

This is when the tension built in the exposition is at its height, when the conflict culminates in a peak of excitement, tragedy, or epiphany. This naturally leads to the resolution.

Resolution/Conclusion

In the conclusion, the reader should see the narrator has changed in some way. What lessons have you learned from this event? How has the event itself changed your way of thinking, or how you live your life? This is known as the autobiographical significance; the reader will come to understand the autobiographical significance. For specific ways to conclude, see our previous post on conclusions here.

Final Thoughts

Careful consideration of a manageable topic in the early stages is the first step in composing a winning narrative. Of course, you should always let your assignment directives guide you. And don’t think it’s going to be perfect in the first draft. Narrative essays take a few drafts to work out the kinks. Take your time and write on!